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ADVANCED ENGLISH LANGUAGE LSM Class

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LITERARY THEORY AND CRITICISM

Topic: LITERARY THEORY AND CRITICISM


LITERARY THEORY


Literary theory refers to the analytical frameworks and perspectives used to study and interpret literary texts. These theories provide tools for examining the meaning, structure, and context of literature.


“Literary theory” is the body of ideas and methods we use in the practical reading of literature. In literary theory, we are not referring to the meaning of a specific literary work, but to the theories that help us understand what literature can mean.


Literary theory is the systematic study of the nature of literature and the methods of literary analysis. Since the 19th century, literary scholarship has expanded to include literary theory as well as intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning.


Literary theories provide frameworks for analyzing and interpreting literature from different perspectives. They encourage critical thinking, help readers understand historical and cultural contexts, and demonstrate that multiple interpretations of a single text are possible.


The value of literary theory lies in the set of tools it provides for analyzing and uncovering deeper meaning within texts. Each literary theory sheds light on specific aspects of literature and written stories, giving readers a focused lens for interpretation.



SCOPE OF LITERARY THEORY


The scope of literary theory includes principles that apply across groups of literary works. This is sometimes referred to as the theory of literature or theories of literary patterns.

It includes theoretical topics such as:


COMPONENTS OF STYLE


Genres


Elements of narrative discourse



BENEFITS OF LITERARY THEORY


LITERARY Theory:


Enhances critical thinking skills


Deepens appreciation for diverse literary traditions


Allows for multiple interpretations of a single text


Helps readers explore themes, structures, and symbolism


Focuses on the internal structure of literary texts—plot, characters, language, symbolism, etc.



The founder of modern literary theory is Ferdinand de Saussure.


LITERARY CRITICISM


Literary criticism is the practice of analyzing, interpreting, and evaluating literary texts. Critics use various theoretical approaches to understand themes, characters, plot, structure, and other literary elements.


Literary elements are the building blocks of literature. Authors use them to create meaning, convey themes, and engage readers.


Below are key literary elements:



SYMBOLISM


The use of objects, colours, or other elements to represent abstract ideas or concepts, adding depth and meaning to the narrative.



IMAGERY


Language that creates vivid sensory experiences.

Types include:


Auditory imagery – descriptions of what can be heard


(You may add visual, tactile, olfactory, and gustatory imagery)



PLOT


The sequence of events that makes up the narrative. It includes:


Exposition – introduction of the story


Rising action – events leading to the climax


Climax – the turning point of the story


Falling action – events following the climax


Resolution – conclusion of the story



CHARACTERS


The people or animals that drive the plot and express themes. They include:


PROTAGONIST – the main character


ANTAGONIST – the character who opposes the protagonist


SUPPORTING CHARACTERS – those who aid or hinder the protagonist



SETTING


The time and place in which the story occurs, including:


Physical setting – environment, landscape, or location


Cultural setting – social, historical, or cultural context.


THEME


The central idea or message the author intends to convey. Themes often:


Explore universal human experiences


Comment on social issues


Reveal the human condition



CONFLICT.


The challenges or obstacles characters face.

Types include:


Internal conflict – struggle within a character


External conflict – struggle against outside forces



STYLE.


The author’s unique voice and manner of writing, including:


Choice of language


Sentence structure


Use of figurative language



POINT OF VIEW


The perspective from which a story is told:


First-person – the narrator is a character within the story


Third-person – the narrator is outside the story


Omniscient – the narrator knows everything about all characters and events



TONE


The author’s attitude or emotional stance toward the subject matter. Tone is conveyed through:


Word choice


Language style


Narrative voice


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